Peruse WFMU's extensive collection of velvet paintings (featuring the likenesses of Zell Miller, Osama Bin Laden and JonBenet Ramsey, among others) in all their splendor. (Oh, and news to us: WFMU has a home on Flickr.)

A major AM news station's switch to FM in the nation's capital is "a direct attack" on the city's public radio stations, writes a Billboard Radio Monitor analyst.

NPR Ombudsman Jeffrey Dvorkin says some of his network's breaking coverage of the West Virginia mine disaster showed "a lack of sensitivity for the miners and their families."

News about angry pubradio listeners' lawsuit against Detroit's WDET made the New York Times today. Seven station members on Dec. 19 sued the station for fraud, claiming the music station tricked them into pledging in October even as managment planned to switch its daytime schedule to national news programming. "It's a better business decision and it's a better service to this urban market," Michael Coleman, general manager of WDET, told the Times. "I think public radio needs to be about more than music programming." The disgruntled listeners started a website, SaveDetroitRadio.com, and are trying to negotiate a compromise with WDET or its owner, Wayne State University, according to the Times.

"Fairness and balance, Mr. Brancaccio, keep it in mind." CPB Ombudsman Ken Bode chastises Now's host for lobbing "softball questions" at Craig McDonald of Texans for Public Justice, a chief critic of Rep. Tom Delay, during a Sept. 30 interview. The program, which included a report critical of the Federal Emergency Management Agency, prompted a complaint from South Carolina Republican Congressman Bob Inglis. In his Dec. 30 column examining the same edition of Now, PBS Ombudsman Michael Getler came to different conclusions.

Professionals from the fields of public radio and the performing arts will meet in New York this month for the Music & Media forum. The two-day event, staged by representatives from public radio's major networks, will focus on finding new ways to collaborate and increase audiences for jazz, classical and alternative music on the air and in performance.

"[W]ho wouldn't love a big, friendly, stoned (and "energetic") tree sloth and all his singing, dancing buddies?," asks Blogging Baby, in a review of the new PBS Kids show, It's a Big, Big World. A critic for the LA Times notes that series creator Mitchell Kriegman followed the Mister Rogers paradigm in casting his lead character Snook as a giant tree sloth who talks and moves slowly. But the Boston Globe's reviewer wrote that Snook is too laid back to stand out in the crowded field of beloved kids TV characters.

Slate's Andy Bowers (formerly of NPR) picks podcasts of the year, including a couple from the world of public radio.

U.K. residents (but not the rest of us) can now download 80 notable packages of news footage from the BBC archives, the AP reported. For instance, they can watch the Berlin Wall come down in Windows Media, Quicktime or MPEG-1 formats, and then edit the footage and use it for noncommercial purposes, giving credit. The few restrictions are laid out in the Creative Archive License, which requires users to share their derivative works under the same terms. Channel 4, the British Film Institute and the Open University will issue material under the same license, the BBC said. The Open News Archive was proposed in 2003 by Greg Dyke, then head of the Beeb.

WFMU's blog cites rumors that the FCC will open a five-day filing window for noncommercial educational stations within six months. But communications attorney John Crigler says a better guess would place a window later this year, after the commission has cleared a backlog of mutually exclusive proceedings.