U.S. Rep Jay Inslee (D-Wash.) and Donald Manzullo (R-Ill.) introduced a bill that aims to throw out a controversial new royalty structure for music streams, passed in March by a panel of three copyright judges, that many webcasters say will put them out of business if it goes into effect.
Webcasters support the lawmakers' measure, which would set rates at 7.5 percent of streaming-based revenue--or roughly the same level as those for satellite radio--instead of basing the rate on the annually escalating, per-play standard that the record labels wanted and the judges decreed. Internet radio station operators have been bombarding Congress with pleas to intervene, an effort that became more urgent earlier this month after the copyright panel rejected all requests to reconsider its decision. In an arcane but crucial legal point, the bill would also change the standard by which future royalty rates are set from the nebulous "willing buyer/willing seller" concept to one that webcasters say more fairly balances the needs of copyright owners, users and the public good. For pubcasters, the new bill would set the new rates at 1.5 times what they paid in 2004, which was last official year of the system's previous streaming rate deal with the labels. CPB has historically covered pubradio's streaming fees. It would also place pubcasters' Web royalty determination within Section 118 of the Copyright Act, where other noncommercial royalties such as ASCAP and BMI are covered. This would establish pubradio streaming royalties as being fundamentally different from those for commercial broadcasters. Under the controversial new structure, pubradio stations whose total monthly user-hours exceed pubradio’s average would be subject to commercial rates. As a result, roughly 20 percent of pubradio stations could face significant new streaming fees, the copyright judges estimated. "This bill will provide a long-term solution that is fair for all sides," said Andi Sporkin, NPR spokeswoman. Sound Exchange, an organization created by record labels to collect digital distribution fees, opposes the proposed measure. Webcasters are coming to Washington May 1 to try to convince lawmakers to pass the bill, and soon. The new webcasting fees go into effect May 15.
Apr 27, 2007
PBS Ombudsman Michael Getler thought several of the America at a Crossroads films were excellent and described one in particular, Operation Homecoming: Writing the Wartime Experience, as "one of the most gripping hours I've spent in front of the tube in quite a while." But he also agreed with critics and viewers who blasted PBS for giving an hour to neocon adviser Richard Perle during the series. The decision to re-present the initial case for a war "that has, at the very least, gone badly" instead of examining what went wrong and where the powers that be should go from here represents a "stunning avoidance of the real crossroad that we are at," Getler wrote. He also criticized the series' lack of substantive discussion of the Israeli-Palestinian conflict.
Posted by Jeremy Egner at 12:24 PM
Alison Stewart, host of MSNBC's midday news show The Most, will co-host of an "upcoming 24-hour multimedia news service and morning drive show for Adults 25-44," NPR announced today. The new show is working-titled the Bryant Park Project, now in a "Rough Cuts" blogging phase. Her new colleagues have posted a musical video tribute to Stewart. Before joining MSNBC in 2003, she anchored for ABC News, reported for CBS Sunday Morning and other shows and won a Peabody for MTV News election coverage. 'Bistro says Stewart was music director of Brown University's commercial college station, WBRU, when she was a student.
Posted by Steve at 12:20 PM