Don't miss Whiteout Christmas, this year's annual seasonal story by WHYY's Chris Satullo and Tony Auth, the Pulitzer Prize-winning editorial cartoonist for the Philadelphia Inquirer. They've created a serialized, illustrated Christmas story together nearly every year since 1996. The first 12 appeared in the newspaper; since 2009, they've been online at WHYY.org and NewsWorks.org, as well as broadcast on WHYY-FM as radio plays. Four of the stories also were collected in their 2004 book, A Christmas Quartet.
This year's radio version — starring Satullo, Auth and a slew of WHYY staffers — will be broadcast on 90.9 FM in Philadelphia at 8 p.m. Eastern Friday, 1 p.m. Saturday and 4 p.m. Christmas Day.
WXXI merging with Rochester's historic Little Theatre
WXXI in Rochester, N.Y., is acquiring the city's Little Theatre as a subsidiary, it announced Monday (Dec. 19). The merger, effective January 2012, "strengthens WXXI’s roots in the cultural life of the community, while helping to assure the future of Rochester’s independent film house," said WXXI President Norm Silverstein in a statement.
The Little Theatre, built in 1928, is a nonprofit multicultural gathering place, screening more than 100 films per year and hosting several annual community film festivals. It also provides local artists a place to share their work.
The affiliation will "enable the two organizations to work more efficiently by pooling resources and strengths in a number of areas including back-office operation and improved fundraising capabilities," the statement said.
A Task Force from each organization consulted with the New York Council of Nonprofits on the agreement. The Little Theatre will become a subsidiary corporation of WXXI, and will continue to exist as a separate legal entity. Each will maintain separate memberships and donor files, although some joint membership opportunities may be developed. And five members of the Little Theatre Film Society will sit on WXXI's Board of Trustees.
The Little Theatre, built in 1928, is a nonprofit multicultural gathering place, screening more than 100 films per year and hosting several annual community film festivals. It also provides local artists a place to share their work.
The affiliation will "enable the two organizations to work more efficiently by pooling resources and strengths in a number of areas including back-office operation and improved fundraising capabilities," the statement said.
A Task Force from each organization consulted with the New York Council of Nonprofits on the agreement. The Little Theatre will become a subsidiary corporation of WXXI, and will continue to exist as a separate legal entity. Each will maintain separate memberships and donor files, although some joint membership opportunities may be developed. And five members of the Little Theatre Film Society will sit on WXXI's Board of Trustees.
Influential pubradio producer Dave Creagh dies at 60
Dave Creagh, an early All Things Considered executive producer who went on to lead other programs and major-market stations over his influential 22-year pubradio career, died Friday (Dec. 16) at home in Blowing Rock, N.C., following a short illness associated with treatment of a cancer diagnosis he received in November. He was 60.
Creagh was hired at NPR on Jan. 2, 1969 — even predating its first broadcast in April 1971. He served on NPR's Board of Directors. He directed ATC and became its executive producer during NPR's formative years, from 1971 to 1981. In the 1980s he managed CPB’s Satellite Program Development Fund, which provided seed money for programs to be distributed over the new Public Radio Satellite System.
Creagh produced jazz programming with pianist Billy Taylor as host and managed KLON-FM, the Los Angeles-area jazz station in Long Beach now known as KKJZ. He built and managed Baltimore’s WJHU-FM, then licensed to Johns Hopkins University; started and directed the radio doc anthology Soundprint while at WJHU and became e.p. of Monitor Radio, the daily news service of the Christian Science Monitor, an early alternative to NPR news programming.
“In the days when we often began ATC unsure of exactly how it would end 90 minutes later, Dave’s was the steady hand on the tiller,” recalled Rick Lewis, who was a newscaster in NPR’s early days and then succeeded Creagh in other jobs. “There might have been pandemonium behind the scenes, but the precision of NPR’s sound was already emerging."
"I always thought of Dave as modern day Tom Sawyer," said Ernest Sanchez, a longtime public broadcasting attorney and a friend of Creagh's for more than 35 years. "When there was serious work to be done, Dave was capable of recruiting anyone to help with the work, and convincing them they would have fun. And Dave always delivered on the fun, along with serious, imaginative results."
"He appreciated the art of radio," independent pubradio producer Jay Allison told Current. "He was open to the new, and he encouraged talented young producers and their unlikely ideas. Not every skilled manager is willing to take that risk. We all still benefit from the people and ideas Dave ushered into public radio."
As executive producer for Monitor Radio in the 1990s, Creagh hired Sue Schardt, now executive director of Association of Independents in Radio. The NPR competitor, operated as a public service by the Church of Christ, Scientist, "did a lot of groundbreaking work," Schardt said: The first to produce a 4 p.m. news magazine for public radio. The first to produce a midday report at noon, 5 a.m. newscast, and a 24/7 newscast. "We were the upstart, the underdog," she said. "And Dave was the one always pushing the envelope, looking at ways to carve a path forward, to get resources to do more and better."
In the mid-1990’s, Creagh also helped launch and later served as senior vice president at the nonprofit Alliance for Public Broadcasting, a pioneer in transaction-based fundraising for the system. “We’ve lost a valuable man, a formidable professional, a fine mind, great heart and a honed wit," said Creagh's close friend and colleague Walt McRee, founder and president of the alliance, which was active until 2008. "Dave had a journalist’s mind and a broadcaster’s heart and was dedicated to straight talk and loyalty to friends and family.”
He was born Sept. 25, 1951, in Washington, D.C., the son of Nelda and Edward Creagh, a well-known correspondent with The Associated Press during the 1940s and '50s. He graduated from Walt Whitman High School in Bethesda, Md., in 1969, and the University of Maryland in 1972.
During his time at NPR, his marriage to fellow staffer Katherine Roe "was one of NPR's first matrimonial unions," the family said in a statement. He is survived by two children, Mary Dolores Creagh and Charles Randall Creagh of Boston; one sister, Elizabeth (Creagh) Martin of Virginia; and a number of nieces and nephews.
Current is working on a full obituary.
Creagh produced jazz programming with pianist Billy Taylor as host and managed KLON-FM, the Los Angeles-area jazz station in Long Beach now known as KKJZ. He built and managed Baltimore’s WJHU-FM, then licensed to Johns Hopkins University; started and directed the radio doc anthology Soundprint while at WJHU and became e.p. of Monitor Radio, the daily news service of the Christian Science Monitor, an early alternative to NPR news programming.
“In the days when we often began ATC unsure of exactly how it would end 90 minutes later, Dave’s was the steady hand on the tiller,” recalled Rick Lewis, who was a newscaster in NPR’s early days and then succeeded Creagh in other jobs. “There might have been pandemonium behind the scenes, but the precision of NPR’s sound was already emerging."
"I always thought of Dave as modern day Tom Sawyer," said Ernest Sanchez, a longtime public broadcasting attorney and a friend of Creagh's for more than 35 years. "When there was serious work to be done, Dave was capable of recruiting anyone to help with the work, and convincing them they would have fun. And Dave always delivered on the fun, along with serious, imaginative results."
"He appreciated the art of radio," independent pubradio producer Jay Allison told Current. "He was open to the new, and he encouraged talented young producers and their unlikely ideas. Not every skilled manager is willing to take that risk. We all still benefit from the people and ideas Dave ushered into public radio."
As executive producer for Monitor Radio in the 1990s, Creagh hired Sue Schardt, now executive director of Association of Independents in Radio. The NPR competitor, operated as a public service by the Church of Christ, Scientist, "did a lot of groundbreaking work," Schardt said: The first to produce a 4 p.m. news magazine for public radio. The first to produce a midday report at noon, 5 a.m. newscast, and a 24/7 newscast. "We were the upstart, the underdog," she said. "And Dave was the one always pushing the envelope, looking at ways to carve a path forward, to get resources to do more and better."
In the mid-1990’s, Creagh also helped launch and later served as senior vice president at the nonprofit Alliance for Public Broadcasting, a pioneer in transaction-based fundraising for the system. “We’ve lost a valuable man, a formidable professional, a fine mind, great heart and a honed wit," said Creagh's close friend and colleague Walt McRee, founder and president of the alliance, which was active until 2008. "Dave had a journalist’s mind and a broadcaster’s heart and was dedicated to straight talk and loyalty to friends and family.”
He was born Sept. 25, 1951, in Washington, D.C., the son of Nelda and Edward Creagh, a well-known correspondent with The Associated Press during the 1940s and '50s. He graduated from Walt Whitman High School in Bethesda, Md., in 1969, and the University of Maryland in 1972.
During his time at NPR, his marriage to fellow staffer Katherine Roe "was one of NPR's first matrimonial unions," the family said in a statement. He is survived by two children, Mary Dolores Creagh and Charles Randall Creagh of Boston; one sister, Elizabeth (Creagh) Martin of Virginia; and a number of nieces and nephews.
Current is working on a full obituary.